A self taught artist, Brigitte Niedermair has been working principally in fashion since 2000, composing her photographs as if they were paintings. Throughout her work, both personal and commercial, she questions the feminine condition. Examining traditions, religions and modernity, and applying this to such subjects as abortion and artificial insemination, she proposes a dual vision between the sacred and the profane, asceticism and eroticism, cutural heritage and emancipation..
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